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TECHNOLOGY REPORT






      has seen the world, the paper industry,   share the finished branding.”          all our partners around the world.”
      creative sector, and his own business all   The resulting new logo design can be described as ‘Marmite’.    This, he says, included making a film
      evolve significantly since then.   But beyond that Watkinson said the team “developed an entire   “exploring the creative power of paper
        Consequently, the firm felt that the   branding system that could accommodate our various sub   that we used to mark the launch” and
      2014 identity was “no longer an accu-  brands and services, including the new GF Smith Charitable   spending time “anticipating every ques-
      rate representation of who we are, our   Trust, which could adapt with us as we evolve.”
      global reach, or the world we move in”.   In physical terms, the design was applied to everything from   tion we were likely to be asked – and
        He adds: “The GF Smith of today is a   samplers and swatches to merchandise and navigation at the   every criticism we were likely to receive
      dynamic and creative company, operat-  firm’s Hull HQ. And for the digital side of the business, the   – so we were prepared to address any
      ing in more than 30 countries, unafraid   rebranding required a new website that Watkinson says was   reactions in an honest and measured
      to challenge the conventions of what   built in collaboration with Made by ON, which “translates the   fashion”.
      can be a tradition-orientated industry.”  tactility of paper into an online experience”.
        The rebrand, says Watkinson, “was   “The rebrand,” he says, “touched literally every facet of our   The votes are in
      an opportunity not just to change our   business. It was a huge undertaking – because it had to be.”  So how was the rebranding received?
      visual identity, but a chance to connect   With such a wide remit, the exercise was never going to be   Have there been any tweaks made since
      with an emerging creative generation   quick. Watkinson says: “It was, very deliberately, a major under-  launch? Watkinson is very direct when
      and, reframe how the entire sector talks   taking, involving several months of work from research to roll-  he says that since the January launch
      about paper”.  He continues: “Paper is   out... our goal was to create something that is truly reflective of   “we’ve been overwhelmed by the posi-
      modern, creative, sensory, full of possi-  who we are as a business, and we felt that the chosen design   tive response that the rebrand has
      bility – but all too often, it is repre-  route does that brilliantly.”
      sented in outdated ways.” GF Smith,   He considers the process “wonderfully energising and engag-  received, and we’ve not changed a thing
      says Watkinson, wanted to modernise   ing” and “very inspiring for us”. He even goes so far as to say that   about it since”.
      the business and keep paper relevant in   “when we saw the brand positioning and new visual identity, it   He recognises that design is subjec-
      a digital world.                was a true lightbulb moment. It felt as though we’d truly got to   tive and knew that that the “change
 Flexible is as flexible does  ages other organisations in the industry   resentation of the warmth, humanity, optimism and energy that   would trigger strong reactions and
                                      the heart of who we are”.
        He hopes that the rebrand encour-
                                        Watkinson seems delighted that the new logo is “a visual rep-
                                                                                       divide opinions – especially in an
      to do the same.
                                                                                       creative perspectives”.
      A big a job?                    animates GF Smith today – and its nine different interpretations   industry full of designers with strong
                                      allow it to move and adapt. It’s not a static identity; it’s the living
        Given that the last rebrand wasn’t   embodiment of GF Smith”.                    But as he says, “creativity should
      that old, Watkinson says that whatever                                           challenge and provoke, and we
      came next had to be worthwhile; it had   Managing employees and stakeholders     embraced that. We were bold, we were
      to be more than a light-touch change.  With change comes worries, especially from staff and stake-  honest, and we created something that
        As he says: “From the beginning, we   holders, each of which needed careful managing.   truly represents us – and that’s what
      were determined that the rebrand   As Watkinson comments: “The rebrand was a massive   I’m most proud of”.
      should be much more than logo deep. It   change, and change always elicits a broad range of responses,   Now that the dust has settled, and
      was not simply a matter of strategically   both internally and externally. We knew it wasn’t going to please
      changing our graphic identity; it was   everyone, so we worked hard to get the whole GF Smith team on   the new identity has, says Watkinson
      the wide-ranging, considered result of   board with the process as early on as possible.”  “had time to bed in” he’s “proud we
      an extensive inward-looking process   To do this he says that the process sought to involve the whole   stayed the course. We have given GF
      that involved every member of the GF   company through “listening exercises, steering teams, and keep-  Smith the identity it needs to carry the
      Smith team.”                    ing everyone updated with poster campaigns as the new identity   company into its next chapter and a
        And to effect this change GF Smith   developed.”                               new creative generation.”
      brought in Templo, a branding a com-  And then, when the new brand had been signed off, there was
      munications agency, to, as Watkinson   a company-wide event to launch the new identity, with Q&As.   Summary
      says, “ensure that branding we devel-  The goal was to make sure that as many as possible “were on   It’s clear that firms need to grow and
      oped was an honest and accurate   board with the change, and any that weren’t had an opportunity   evolve as markets  and customers
      expression of who we are as people, and   to be heard”.                          change. Part of this means changing
      the passion we hold for paper as a crea-  He thinks that now, several months later, “the overwhelming   how the business presents itself. A
      tive tool”.                     majority of the team have understood what we have set out to do
        In terms of the process, he says that it   and are behind the rebrand”.        piece of string is as long as it is short in
                                                                                       terms of how this is done but several
      involved a company-wide programme   As for stakeholders, Watkinson says that the company pre-
      of “engagement” to understand the cur-  dicted that the rebrand would be received in a host of different   things are certain: it takes time,
      rent corporate values before moving on   ways, so “ensured we had developed a full suite of resources to   thought and the investment of effort
      to “conceive and refine the design and   showcase and explain the rationale behind the new identity to   from the top down.


      www.printweekmena.com                                                                  September 2025 PrintWeek MENA 27
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