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Canon introduces EOS C400 cinema camera featuring RF mount …

Canon Middle East is expanding its lineup with the debut of the EOS C400 featuring an RF mount, alongside the CN7x17 KAS T lens engineered to elevate large scale productions to greater heights. Adapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field. The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions. BSI sensor and triple ISO The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality. Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions. To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience. RF mount Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows. Dual Pixel CMOS AF II Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time. This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment. Recording formats With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon's scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements.  All of which accommodate detailed filmmaking workflows with professional filename and metadata support. Compact design Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules. The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted. Introducing the latest Cine Servo lens The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows. With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds. Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1. Decked with the state-of-the art next-generation e-Xs V digital drive unit, the CN7x17 KAS T features advanced functionalities including optical focus breathing correction, faster iris control and a convenient USB-C interface for remote control and user setting transfer. EOS C300 Mark III firmware update Canon is also releasing a free-of-charge firmware update for the EOS C300 Mark III, adding 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. An Auto ISO feature will also be made available to seamlessly transition between dynamic lighting conditions in a continuous shot. Canon today also introduces the RF 35mm F1.4L VCM, a first of its kind hybrid lens designed to capture both stills and video, along with the new Speedlite EL-10 for elevating portraits with controllable lighting.
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Canon introduces EOS C400 cinema camera featuring RF mount …

Canon Middle East is expanding its lineup with the debut of the EOS C400 featuring an RF mount, alongside the CN7x17 KAS T lens engineered to elevate large scale productions to greater heights. Adapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field. The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions. BSI sensor and triple ISO The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality. Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions. To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience. RF mount Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows. Dual Pixel CMOS AF II Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time. This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment. Recording formats With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon's scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements.  All of which accommodate detailed filmmaking workflows with professional filename and metadata support. Compact design Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules. The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted. Introducing the latest Cine Servo lens The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows. With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds. Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1. Decked with the state-of-the art next-generation e-Xs V digital drive unit, the CN7x17 KAS T features advanced functionalities including optical focus breathing correction, faster iris control and a convenient USB-C interface for remote control and user setting transfer. EOS C300 Mark III firmware update Canon is also releasing a free-of-charge firmware update for the EOS C300 Mark III, adding 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. An Auto ISO feature will also be made available to seamlessly transition between dynamic lighting conditions in a continuous shot. Canon today also introduces the RF 35mm F1.4L VCM, a first of its kind hybrid lens designed to capture both stills and video, along with the new Speedlite EL-10 for elevating portraits with controllable lighting.
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Canon introduces EOS C400 cinema camera featuring RF mount and Cine S…

Canon Middle East is expanding its lineup with the debut of the EOS C400 featuring an RF mount, alongside the CN7x17 KAS T lens engineered to elevate large scale productions to greater heights. Adapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field. The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions. BSI sensor and triple ISO The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality. Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions. To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience. RF mount Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows. Dual Pixel CMOS AF II Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time. This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment. Recording formats With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon's scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements.  All of which accommodate detailed filmmaking workflows with professional filename and metadata support. Compact design Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules. The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted. Introducing the latest Cine Servo lens The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows. With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds. Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1. Decked with the state-of-the art next-generation e-Xs V digital drive unit, the CN7x17 KAS T features advanced functionalities including optical focus breathing correction, faster iris control and a convenient USB-C interface for remote control and user setting transfer. EOS C300 Mark III firmware update Canon is also releasing a free-of-charge firmware update for the EOS C300 Mark III, adding 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. An Auto ISO feature will also be made available to seamlessly transition between dynamic lighting conditions in a continuous shot. Canon today also introduces the RF 35mm F1.4L VCM, a first of its kind hybrid lens designed to capture both stills and video, along with the new Speedlite EL-10 for elevating portraits with controllable lighting.
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Canon introduces EOS C400 cinema camera featuring RF mount and Cine S…

Canon Middle East is expanding its lineup with the debut of the EOS C400 featuring an RF mount, alongside the CN7x17 KAS T lens engineered to elevate large scale productions to greater heights. Adapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field. The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions. BSI sensor and triple ISO The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality. Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions. To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience. RF mount Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows. Dual Pixel CMOS AF II Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time. This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment. Recording formats With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon's scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements.  All of which accommodate detailed filmmaking workflows with professional filename and metadata support. Compact design Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules. The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted. Introducing the latest Cine Servo lens The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows. With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds. Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1. Decked with the state-of-the art next-generation e-Xs V digital drive unit, the CN7x17 KAS T features advanced functionalities including optical focus breathing correction, faster iris control and a convenient USB-C interface for remote control and user setting transfer. EOS C300 Mark III firmware update Canon is also releasing a free-of-charge firmware update for the EOS C300 Mark III, adding 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. An Auto ISO feature will also be made available to seamlessly transition between dynamic lighting conditions in a continuous shot. Canon today also introduces the RF 35mm F1.4L VCM, a first of its kind hybrid lens designed to capture both stills and video, along with the new Speedlite EL-10 for elevating portraits with controllable lighting.
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STAR products

  • Agfa Avinci CX3200

    Avinci CX3200 is 3.2 m wide dye sub textile printer capable of printing on polyester-based textiles What is it? Agfa’s Avinci CX3200 is a highly reliable and convenient soft signage printer that can print directly to fabrics and onto transfer paper. It uses an off-line calendar unit to ensure perfect fixation. Agfa’s dedicated dye sublimation roll-to-roll printer will enable you to create vibrant, high-quality prints on polyester-based fabrics up to 3.2 m wide, including a broad range of in- and outdoor soft signage applications, as well as interior decoration. The Avinci CX3200 boasts a rich color gamut and delivers deep black, perfect solids, accurate spot color mapping and smooth tonal rendering that is particularly noticeable in skin tones. The Avinci inks are characterised by their flexibility, image longevity and outdoor resistance. They offer stable jetting performance and deliver the same high-quality results, batch after batch. An off-line calender unit fixes the color deeply into the structure of the polyester-based fabrics while evaporating the carrier fluid. When was it launched at what are the target markets? It was launched on June 22, 2021, and aimed at soft signage industry, sports wear, fashion industry and home décor. Avinic CX3200 is a 3.2 m wide Dye Sub Textile printer capable of printing on polyester based textiles. Does it replace an earlier product? It replaces the earlier model of DX3200. The Avinci CX3200 is driven by Agfa’s Asanti wide-format workflow software. Color accuracy is provided by the easy-to-use color management. Using  their Calibrated Print Mode feature, new media can be calibrated and profiled in less than 15 minutes, after which the new profiles can be used to guarantee print quality. Asanti controls and automates the entire printing process from file intake to finishing, maximising productivity. Its comprehensive integration of file handling, color management and preflighting guarantees smooth and error-free jobs. The web-based Asanti Production Dashboard offers a view on your running production. It summarizes the jobs produced and reports on quantity printed, media usage, ink volumes enabling you to control your production and to manage your print shop optimally. What is the USP? It allows you to print directly on textiles and capable of print on transfer paper media as well. Single person media loading and low inks consumptions are another features. High productivity and a robust design for reliable printing at all times, vibrant prints and a wide color gamut; fine detail rendering; extensive applications scope; low ink consumption; convenient operations and a fast changeover between jobs are another features. Avinci produces good results with a minimum of jetted ink. This low ink consumption is based on Agfa’s renowned Thin Ink Layer technology: a smart combination of particular ink characteristics and our Asanti workflow software algorithms that tune the ink quantities perfectly to the required image quality mode. What training and support are available? Full in house training and support available from Agfa UAE and Belgium. Complete and integrated solution are available for printer, inks, workflow software, worldwide service and applications support. How productive is it? It prints at speed of 250 Sqm per hr on express mode. Being able to print directly to fabric is easy and ideal for fast handling and for special applications such as flags, where print-though is needed. Transfer paper allows for super sharp prints, eliminates any set-off, and limits media waste to a minimum. In addition, it extends the application scope to sportswear and fashion garments, as well as home décor prints on non-coated polyester fabrics. What does it cost? How is it sold? The recommended retail price (RRP) is approximately $220k stand alone printer and requires a separate calendaring unit. How many are in use? Currently, the latest CX3200 are around 11 units around the world. Specifications 3.2m Dye sublimation Printer Kyocera print heads 4 colour printer CYMK Direct to garment capable to print on transfer paper Max speed of 250 sqm Stand alone printer Resolution up to 600 x 1800 dpi Media types: Polyester-based fabrics, or transfer paper used to create banners, indoor wall graphics, shop decoration, outdoor advertising, light boxes, trade show displays, flags and high polyester-based blends “Agfa Avinci CX3200  was launched in June 2021.”
    Aug. 2, 2022

    Epson – SureColor SC V7000 Flatbed Printer

    Epson's first UV large format printer offers exceptional image quality, Shihab Zubair What is it? The SureColor SC-V7000 is Epson's first UV large format printer, offering exceptional image quality. The V7000 is ideal for printing eye-catching retail and outdoor signage, window displays, hoarding panels, packaging, promotional goods, and décor products. It includes Epson’s Micro Piezo printhead with ten newly developed original inks, for accurate colour reproduction for spot and corporate colours. It allows businesses the flexibility to print on a range of media up to 80mm thick including acrylics, polycarbonates, PVC, glass, aluminium, metal, polyester, foam board, styrene, wood and stone. The printhead layout enables simultaneous high-speed printing and, with the 4-zone vacuum system, it offers real flexibility for production environments. When was it launched at what are the target markets? The Epson SureColor SC-V7000 was launched in April 2021 within the Middle East region, building on the success of Epson’s award-winning range of SureColor S Series signage printers. The V7000 allows sign and display makers to expand their portfolio of products, to deliver high quality, fast and reliable results on a variety of different media. Does it replace an earlier product? The SureColor SC-V7000 proudly marks Epson’s entry into the UV flatbed signage print market. As Epson’s first UV large format printer, it provides unique features to differentiate and enhance our offering to the signage market. Every feature of the Epson SureColor SC-V7000 has been designed with the customer in mind. This is a robust and affordable UV LED flatbed signage printer capable of fast and quality printing on a wide range of media – any type of surface, despite the size, thickness, or weight. This is in addition to Epson’s successful product solutions such as the Epson SureColor SC Series of eco-solvent and resin ink printers. For instance, for environmentally friendly organisations, Epson’s SureColor SC-R5010 Series has the capacity to include a resin ink solution, offering print service providers and creative design agencies the ability to produce a wide range of signage in a more sustainable way, without compromising on the results. For a larger ink capacity, Epson offers the SureColor SC-R5010L. What is the USP? The Epson SureColor SC-V7000 provides exceptional image quality, productivity, usability, and safety. With the unique Epson Micro Piezo printhead, the printer has ten newly developed original inks and 3-layer high-speed printing. It helps print with ease and safety with automatic measurement of media thickness, a multi-zone vacuum, and a printhead crash prevent function, Epson Edge Print, proximity sensors. What training and support is available? Epson manufactures all the components for the SureColor SC-V7000, including printheads, inks and software, in order to reach the consistent quality levels that our customers expect. The Epson Cloud Solution PORT is a cloud-based system from where you will be able to monitor equipment across several sites, or several printers across one site, from the production floor or remotely, and assist the control of production. This enables efficient production planning, increased uptime and enhanced support. Epson Production Monitor is part of the Epson Cloud Solution PORT suite of apps and allows you to examine the production status in real-time. If an issue occurs, it can be corrected efficiently with minimal disruption to the print run. How productive is it? The SureColor SC-V7000 enables businesses to print at high speed with a maximum print area of 2.5 metres by 1.25 metres. The printhead layout enables simultaneous high-speed printing, with white ink and varnish, without losing productivity. What does it cost? How is it sold? The recommended retail price (RRP) is around AED 330,563 (US $90,000) and it is sold through authorised partners in the Middle East. How many are in use? Currently two printers have been installed in the UAE, and we are scheduled to install a few more in December and further into 2022. Specifications UltraChrome UV 10-colour inkset Printing resolution of 720 x 1,440 DPI Outstanding print quality High-speed simultaneous printing even when using white, colour and varnish Printheads, ink, firmware and software with an ink tank capacity of 1,000 ml  Price from AED 330,563 “Epson SureColor SC-V7000 was launched in April 2021.”
    Aug. 2, 2022
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